Alazar's Book of Bondage, Vol.1 by Alazar

By Alazar

In case you are going to benefit the ropes, you visit the professional! Alazar, a real "no-escape" artist, has been delighting enthusiasts of his fetish-filled illustrations in lots of a gathered paintings. Now for the 1st time, he is assembled an ALL-NEW choice of fiendishly complex pics of damsels in misery into one "bound" quantity, to the satisfaction of his world-wide viewers! With probably the most renowned web content at the topic, and a library of formerly revealed works, Alazar has reached really a faithful following for his bondage and self-discipline drawings. His fascination with impossibly-proportioned women in both very unlikely states of pain is shared by means of many, and this premier "Book of Bondage" is the 1st in a brand new sequence of such reviews.

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No. 2 10), where they are seen from a different vantage point. The sun has set and the moon has risen. Its rings forecast inclement weather to come. Whatever warmth may have been during the day is gone. We can almost feel the bone-chilling cold. Everywhere on this moonlit night there is silence. And these trees stand at the perimeter of this pasture like forgotten sentinels. The composition in Christmas Eve is on a diagonal. The eye moves laterally back into space rather than directly so, as in Dick Sanders' Farm.

Geese hover and circle in the air as they return to their local sanctuary. They are the vanguard of thousands to follow. Again the artist has cast a spell, if you will. Somehow he has touched a forgotten image within us while creating a world that has always been familiar to us. The special character of an individual tree is seen in Randy's Hunting Tree (pl. 23, cat. no. 232). This old, storm-scarred oak is surrounded by a coterie of younger fellows. They all lack the knowledge and experience of their prototype and have nowhere near its uniqueness.

No. 273), in Providence, is fraught with memories. As an adolescent Fink repeatedly visited the Natural History Museum or explored the grounds, all with a spirit of youthful high adventure. As an adult he returned to take his young children fishing. There is a spirit of melancholy and yet renewal about this image. Here is a footpath with a turnaround in the foreground. At the curb we see daffodils and other flowers peering out, announcing the arrival of spring. Another footpath skirts the bank beyond.

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